Luckily, track 2 is a radical remix that is definitely back in the Gutter orbit. 'Lord Of The Fuckbeat' Waster gives us the "Electro remix 2", which strips away all the original backing music and recontextualises the deranged vocal within a modernist structure of electro beats, bad-tempered synth pulses and, as the track develops, a heavy dose of breakbeat action in the old Hip Hop tradition just the way I like it - phat 'n' dirty! This odd juxtaposition of approaches would appear to be the very essence of what Pin Prick are all about, as stated in the press release manifesto:
Hello, beautiful music.
We love music that is alive, that makes us laugh, that astonishes us, moves us, takes us away.
We don't know anyone who only loves rock or only loves hip hop or only loves trance. People we have met like this have turned out to be knobheads.
We believe in mistakes, strange timing, the odd bum note, surface noise and the ghost in the machine.
We love music that is alive, that makes us laugh, that astonishes us, moves us, takes us away.
We don't know anyone who only loves rock or only loves hip hop or only loves trance. People we have met like this have turned out to be knobheads.
We believe in mistakes, strange timing, the odd bum note, surface noise and the ghost in the machine.
There's further evidence of this genre-hopping approach at their well-constructed website, where you can hear clips of various acts that Pin Prick have taken under their wing, with a particular slant towards bringing 'traditional' indie/rock groups together with electronic/remix producers. I also really like the DIY cottage industry mentality - a quick glance through their catalogue reveals that most of Pin Prick's 'releases' to date have been cd-r only, or 12" test pressings limited to ten copies!! They're really only a slight step-up from Whatever Records, the pet cd-r label that me and my mate Aaron bugger about with occasionally. On that basis, the fact that 200 copies of "Fire To Feed" are being released as a limited hand-numbered 7" on 21st March would appear to be a gigantic financial leap for this label. Best of luck, my friends!
The second track is by Shackleton. It's called "I Am Animal" and, of the two, this is the one that will probably help to shift more units, as it's loaded with the sort of complex, fluttery ethnic percussion that will appeal to the 'oingy boingy' crowd. The subby bassline and soaring string melodies create a moody yet sensual landscape that I've no doubt will be finding it's way into a few DJ sets in the coming weeks. You can hear clips of several other Shackleton tunes, all mining a similar vein, at Skull Disco's website, but I must say it's Laurie's effort that I find the most intriguing. This release is now featured in the dubplates section at Dubplate. Add it to your wishlist now!
It's weird when I think that last year I'd pretty much given-up on making my own music , yet the combination of Grime and Fruityloops has really got me excited about making beats again. I haven't sent a demo to anyone for years (I still have my collection of rejection letters - most prized of which is one from Warp Records from 1996) and I can't quite believe I'm being so (relatively) pushy about my shit at the moment. I'm sure it will lead to nothing more than embarrassment and further rejection, but I just can't resist it! Wish me luck...
Oh, and before I go, you might want to check out Scarboi's blog. He's this guy in Winsconsin who's taking a few faltering steps into making Grime riddims and sharing his efforts (sound familiar?!). Some amusing writing too!