There are a couple of beat-matched passages but it's mostly segued. To genuine DJ ears it will no doubt sound rather rudimentary; I'm not a DJ, have never played out anywhere, and just fiddle with MP3s for my own listening joy. Besides, with the variety of styles it doesn't really build a groove as such; it's more about trying to put different sounds and moods together in a way that seems 'right' and expresses something that I feel about the city. It's quite personal in this regard - there are far more 'typical' pieces by Cabaret Voltaire for instance, but the ones I've included are the tracks that coincided with my own immersion into the scene and that I felt had an atmosphere of the Sheffield I was growing into.
I should add that I no longer live in Sheffield - I've been in Liverpool since 1995, so for me the city has kind of 'frozen' as a memory; the Sheffield I now go and visit is ever-changing and feels quite different. I suppose it's the same everywhere. So in thinking about concrete and brutalism and raw electronics, I'm aware that this is a Sheffield that is fast disappearing; a good thing too for those who still live there, but I'll always remember the creativity and energy in that seemingly desolate landscape - my 'long lost 1984 of the soul'.
Nice. I only spend a year in Sheffield, and although the electronic music scene is somewhat declining (compared to the old warp days), I always felt a special vibe surrounding the city.
ReplyDeleteGood to see I'm So Hollow getting an airing - got the Emotion/Sound/Motion LP when it came out on the strength of hearing and taping Toouch on Peely all those moons ago - no idea they were from Sheffield though ..
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